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5 Essential Music Photography Tips

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nnPhotos of Bassnectar performing at the Pageant in St. Louis on April 9, 2011. (Todd Owyoung)nnrnnnnnrnnnNew to the world of live music photography? Here’s five basic and essential concert photography tips that every new live music shooter should know, whether you’re just shooting from the crowd or have just scored your first photo pass.nnrnnnThink of this as a follow-up to the completely non-technical post, “6 Tips Every New Music Photographer Should Know” – but if you are new to music photography, be sure to check out that post as well.nnrnnnWhat follows are 5 technical tips, but don’t worry – they’re all simple and things that just about anyone can incorporate into their shooting, even without a fancy camera.nnrn

Live Music Photography Quick Tips

rnnn1) Shoot in RAWnnrnnnShooting in RAW will give you the most flexibility and the best image quality. With flash memory and harddrive space as inexpensive as it is, there’s no reason not to shoot RAW. If you must shoot JPG because you’re more comfortable with that format, at least shoot RAW + JPG so you’re covered on all fronts, now and in the future, for maximum quality.nnrnnn2) Crank the ISOnnrnnnDon’t be afraid to crank the ISO on your camera. Yes, it will produce more noise, but frankly if noisy or grainy images are the worst parta of your issues, then consider that you’ve done everything else right. I don’t know about you, but I’ll take a sharp, grainy image over a blurry, noiseless image any day.nnrnnn3) Shoot in Manual ModennrnnnShort of strobes and other very short duration lighting effects, most concert lighting doesn’t actually change that much in terms normal levels. Shooting in manual mode is the easiest way to control your exposure and create consistent, repeatable results. Read my tutorials on exposure and metering and practice before using manual mode at a show. You’ll love it.nnrnnn4) Auto White BalancennrnnnPeople are always asking me what white balance setting I use for my work, but it’s no secret kelvin temperature. I use auto WB almost 100% of the time. For most indoor shows, auto WB will get you ballpark most of the time, with the rare exception being mono-color LED lighting or mixed-source lighting. If you’re shooting RAW, you can always adjust color temperature later without a huge hit to image quality.nnrnnn5) Wear EarplugsnnrnnnThis is the one gear recommendation I’m going to make. Don’t worry about a better low light lens unless your ears are filled with something besides eardrum-crushing decibels. I recommend Hearos Extreme Protection earplugsfor new shooters – they’re cheap, comfortable and reduce a nice -33dB of noise. Read my review of these extremely effective plugs.nnrnnn (Todd Owyoung)nnrn

Conclusion

rnnnSo there you have it. 5 essential tips that I guarantee you most pros are practicing every single time they’re in the pit, but which might not be obvious to new music photographers. Better yet, these are tips that don’t have anything to do with camera gear (unless your camera doesn’t support RAW), so you can implement these even if you’re using a point ‘n shoot camera.nnrnnnLooking for more technical tips? Don’t worry, I’ve got those for you as well:nnrnnnMusic Photography TechniquennrnnnHappy shooting, guys.nnrn